Isolation became as much a pandemic as the COVID-19 virus that caused it. And the social paradigm shift left in its long wake continues to affect millions of people. Social pastimes such as going to the movies, going out to dinner, visiting friends and relatives, comedy clubs, concerts, art shows, vacations to amusement parks and bucket-list cities all foundered. And like the millions of virus victims, many of these venues and pastimes did not survive.

We were left to entertain ourselves at home. And some of us did this better than others. The American Journal of Emergency Medicine said domestic violence cases increased by 25% and 33% globally, with an increase in the United States by over 8%. In my house, crafts replaced excursions. It began when my daughter, Samantha, came to my house wearing a stylish three-ply mask she fashioned from a curtain. In what might have been a humorous episode of a sitcom (you fill in the blank), she proceeded to sew another mask at the dining room table while watching me try to do the same with her guidance. Ultimately, my finished product was less fashionable and (probably) less effective. Still, I wore it to the grocery store until better masks were readily available. I still have it. 

And then there were the crafts. Let me back up. Pointillism is a method of painting developed by Georges Seurat and others in 1886. It is an offshoot of the impressionists (Monet, Manet, Cassatt, Degas, Pissarro, Renoir, and Cezanne). In pointillism, artists use dots of paint to form images. It was the precursor to pixels on televisions, monitors, and cell phones. Seurat’s most famous painting is A Sunday Afternoon on the Island of La Grande Jatte. 

Incidentally, my son Cameron and daughter Samantha saw the 2017 revival of the Sondheim penned Sunday in the Park with George musical on Broadway; itself a fascinating statement on art, artists, people, humanity, and human interaction as the painting comes alive before the audience. Little did we know how human interaction would be a recipe for a lethal worldwide pandemic just three short years later. Ironically, Johnson & Johnson, supplier of one of the COVID-19 vaccines, was created in the same 1886 that Georges Surat created pointillism. Pfizer was formed in 1849. Thanks, Google.

Art proved to be the salve for my family and me. And as a corollary to my last post, art proved once again to forestall being lost. This time, while writing continued to provide me a venue to consolidate my disparate thoughts, “dipping dots” consumed our time and provided hours of entertainment (and a few sore necks!). Of course, they are not called “dipping dots.” Those are the frozen pebbles of ice cream found at hockey games and stadiums. I refer to the tiny, colorful plastic dots (or squares) on a sticky canvas.

 

My wife (and sometimes my two stepdaughters (although typically, they would start a project and we would finish it)) saw these projects devour hundreds of hours of quarantine and isolation during the pandemic. I also know every word to every pop song played on the radio over the last 50 years as we listened to these songs on a loop while working our dipping dots. These craft projects (I differentiate here between creating (art) and producing (crafts) so as not to offend artists who create original works) were terrific distractions from the horror of the pandemic and the schism of politics.

Both mindless and intoxicating, these projects consumed us. We couldn’t wait to finish working for the day so we could “dip dots.” Maybe it was a consequence of the work we each do. My wife works for an insurance company and spends most of her days in meetings. I live in Microsoft Excel spreadsheets, deep in the weeds of cells and formulas. Although we both work from home (I have worked exclusively from home since moving back to Rhode Island in 2016 while she was new to the concept, as were millions of others affected by the coronavirus), there was no tangible evidence of our daily efforts. She ends the call; I close the file. There is nothing to see, nothing to hold up as real progress or something that will exist beyond the next call or following report. Dipping Dots projects checked that box. It exists today, tomorrow, and always as a physical manifestation of effort.

Again, to create is to exist and to endure. Tiny plastic dots, pixels, or pointillism gave me a productive outlet during a worldwide pandemic and many enjoyable hours with my family. These are but a few of the many projects we completed during the lockdown. They were good times in an awful time, centering and fun while the world spun off its axis.