Kiss it Goodbye

The youth of today, and for this discussion, this includes anyone who’s never held their favorite music in their hand (album, 8-track, cassette, CD), don’t understand how recorded music was appreciated in the time before the internet and streaming. I grew up in the age of mixtapes which involved recording songs from the radio (remember radio?) with the deft dexterity of a neurosurgeon. And…hit…..Play AND Record at the same moment! Who didn’t feel like Casey Casum when they nailed it?

My musical education is partly due to the Columbia House ten cassettes for a penny club we badgered our parents into joining. Research and hard decisions in my youth involved selecting my three-item allotment from Columbia House and being honest on my MLB All-Star selection ballot (and not voting for every Cincinnati Red nominated).  I mention music because one of the few albums we had growing up was Hotel California by the Eagles. To be fair, my parents also had Rubber Soul and Led Zeppelin IV on vinyl and Sgt Pepper on 8-track. My sister was/is an Eagles fanatic (along with a certifiably insane Keith Richards fanboy). I can’t tell you how many times we listened to Hotel California. One of the songs I loved was The Last Resort. Being born and raised in Rhode Island, I was thrilled that music royalty was singing about my home, Rhode Island. And because I knew the immigrant stories of my family and those of most families I knew, the song’s opening verse touched me:

She came from Providence

One in Rhode Island

Where the old world shadows hang

Heavy in the air

The song, written by Glen Frey and Don Henley, describes man’s ugly takeover of nature’s pristine beauty. Specifically, California, and the migration of people searching for a new beginning in a “new” land.

She packed her hopes and dreams

Like a refugee

Just as her father came across the sea

She heard about a place

People were smiling

They spoke about the red man’s way

And how they loved the land

            They came from everywhere

To the Great Divide

Seeking a place to stand

Or a place to hide

Word spreads about such places, and the throngs of people descend on it like locusts eating everything in their path.

Down in the crowded bars

Out for a good time

Can’t wait to tell you all

What it’s like up there

They called it paradise

I don’t know why

Somebody laid the mountains low

While the town got high

And this migration, like wildfire, doesn’t stop until it hits the ocean.

Then the chilly winds blew down

Across the desert

Through the canyons of the coast

To the Malibu

Where the pretty people play

Hungry for power

To light their neon way

Give them things to do

Some rich men came and raped the land

Nobody caught ’em

Put up a bunch of ugly boxes

And Jesus people bought ’em

And they called it paradise

The place to be

They watched the hazy sun

Sinking in the sea

And here’s where the story becomes painful. In the age before the internet and before you had lyrics to every song seconds away on your cell phone, we sang what we heard or misheard. The internet is filled with videos of people singing incorrect lyrics. Yes, it’s funny now! But before you could access the lyrics, you heard what you heard and belted it out as best you could. The next two verses always confused me. I should say I felt stupid not understanding what they were referencing. I assumed “La Hina” was a town in California. It wasn’t until years later that I learned Lahaina is a town on the island of Maui in Hawaii.

You can leave it all behind

Sail to Lahaina

Just like the missionaries did

So many years ago

They even brought a neon sign

“Jesus is coming”

Brought the white man’s burden down

Brought the white man’s reign

Before COVID-19 shut down society, and before masks and vaccines began to pull those who cared about their families and neighbors out of the pandemic abyss, my wife and I went on our honeymoon to Hawaii. We stayed in Oahu and Maui. We rented a Jeep Wrangler on Maui and, on our last day, drove across the island to Lahaina. I wanted a picture of a sign with Lahaina on it to send to my sister, an ode to our childhood listening to the Eagles. We walked Front Street, marveled at the city block-sized banyan tree, bought cookies at the Honolulu Cookie Company store, shopped at the Outlets of Maui, and ate dinner as the sun sank into the sea at the Waikiki Brewing Company. As we sat there waiting for dinner to be served, across the street, we saw the most incredible sunset I’ve ever seen.

I grew up in a tourist town, Newport, RI. And as much as I hated the traffic and the crowds of pretty people, I also knew their money was the economy’s lifeblood. When I heard about the wildfires whipping across Hawaii, and first heard Lahaina mentioned, I could only hope the town would be spared. The pandemic was savage to many industries, with tourism among the hardest hit. In addition to the catastrophic human toll the virus exacted, we all know of restaurants and stores that also did not survive. To have a wildfire threaten the fragile economy of Lahaina seemed as cruel as it was unfair. And then I saw the photos.

Nothing of what I remember exists any longer. It’s all gone. As of this writing, eighty people have lost their lives, with more expected as homes reduced to ash are searched. Front Street is a warzone of burned-out cars beside the mangled remains of homes and businesses. The banyan tree was scorched and may not survive. The Honolulu Cookie Company, the Outlets of Maui, and the Waikiki Brewing Company not only burned to the ground, but with the utter devastation and destroyed infrastructure, people do not yet know if their friends and coworkers survived. My heart breaks for everyone there. Hell came to Lahaina this week and took everything.

Climate change is real. Humans as a contributing factor is undeniable. Warnings of tipping points have been ignored. Water temperatures in the Gulf of Mexico exceed 100 degrees in some areas. We have had the hottest weather ever recorded, worldwide. And yet, we continue to ignore the issue and marvel at the consequences with willful ignorance and feigned confusion.

The last four verses of the song, without mentioning it, describe climate change and our greedy abdication of responsibility. However, instead of a coastline, when you read these last verses below, consider they are singing about planet Earth.

Who will provide the grand design?

What is yours and what is mine?

‘Cause there is no more new frontier

We have got to make it here

We satisfy our endless needs

And justify our bloody deeds

In the name of destiny

And in the name of God

And you can see them there

On Sunday morning

Stand up and sing about

What it’s like up there

They call it paradise

I don’t know why

You call someplace paradise

Kiss it goodbye

There are no new frontiers. We have got to make it here.

Or kiss it goodbye.

Measure Twice, Thank Often

All of us, over the course of our lives, develop various interests. As a child, I wanted to be a baseball player or an artist. In college, thanks to my roommate, I developed an interest in the guitar. As an adult, I took to woodworking. And I have always liked to write. My woodworking skills, like my guitar playing, place me right in the middle of “I know enough to muddle through most things, but not enough to be any good.” My college roommate was left-handed, like me. He had a couple of guitars, and he was very good! He was also one of the kindest people I’ve ever met. He taught me a few barre chords, and I could follow along (if the song was simple and slow enough). In the 300 million years since I graduated, I confess, my playing hasn’t improved much. I know more chords and simple pentatonic riffs, and thanks to the internet can dumb down most songs to feel like I’m part of any number of great bands. I enjoy it, but let me assuage your fears by telling you I have no plans to perform outside of my little office, ever. You’re welcome. My family would probably prefer I take up the air guitar. It’s quieter.

Where guitar playing involves notes, chords, riffs, melody, and timing, woodworking involves something entirely different. Because I am not a pro, I am confronted on every project with the challenge of having to envision how to accomplish each successive step. And once I envision it, I invariably must adjust that plan to account for unforeseen problems, a lack of the “right” tool, and the added time required to visit Home Depot or Lowes for the 23rd time in a weekend.

I always feel like an imposter when I visit Home Depot, as if everyone is quietly judging me, eager to expose me as a hack and a fraud. Every time I’m in there, it seems three guys in the lumber department wearing work clothes that have obviously been on 300 or 400 jobs catch me out of the corner of their eyes just as a box of 100 #8 x 1 5/8” drywall screws I dropped scatter down aisle 17.

We all have those we look up to. As a kid, Pete Rose was the baseball player I wanted to be, and Leonardo Da Vinci was the artist. As a guitarist, I wanted to be David Gilmour from Pink Floyd. I always found his solos the most the most emotional and evocative solos. He speaks through his guitar. These are the people who drove me to be better. Not professional, but better. They sparked an interest in me to learn. In woodworking, it was Norm Abram. Like me, Norm is from Rhode Island. Like millions of others, I grew up on This Old House, and through several hosts, Norm was always the steady hand on the tiller. He was a teacher. Tom Silva always taught, too. His expertise in construction always showed an easier way to do something that amused the host. I learned what cripple studs were and why they were important. But Norm was the “Master Carpenter.” Maybe it was the title; however, when he spoke, it seemed to carry more gravitas. His New Yankee Workshop opened my eyes to furniture building and what a shop should look like, what tools should be in it (and what they do). And because of him, I wanted to make things out of wood. Furniture? Maybe

What Norm did on the New Yankee Workshop every week was always perfect. “I can do that!” I said to myself. What I quickly learned was that they never showed you the half hour it took the production assistants to set up the tool to make that 3-second cut. Mortise and tenon joints always fit perfectly. It took me an hour of trial and error (sometimes on my finished workpiece) to get close. Norm was always the vision of patience and safety. I can still hear his safety warning at the beginning of every episode in my head, “Before we get started, I’d like to take a moment to talk about shop safety. Be sure to read, understand, and follow all the safety rules that come with your power tools. Knowing how to use your power tools properly will greatly reduce the risk of personal injury. And remember this, there is no more important safety rule than to wear these, safety glasses.”

His experience, skill, and attention to detail, combined with meaningful explanations (and great camera work), hooked me every time. There were episodes where he made something that I didn’t particularly care about, however, despite my initial disappointment, I always found myself enthralled and eager to understand the next step of the project. I got to the point where I could anticipate the next step and the tool to be used. I loved it. Even if I didn’t have the tools to replicate the project.

And it sparked a new creative channel in me. I tried with my screwdriver, hammer, and lack of training to build things. It forced me to be patient (mostly because I had no idea what I was doing). Over the years, I’ve gotten a bit better and gained a few more tools, but still must go slow because I still have very little idea of what I’m doing. And if I’m working on a project and don’t show up to Home Depot for two days, they send out a search party. An army of orange-vested associates searching in a grid pattern across the parking lot and then my house.

I have a home office in which to perform my real job during the week. My wife had my old desk in her office but had a vision of what she really wanted. Lower cabinets, a butcher block countertop and desk surface, and uppers to the ceiling with crown molding. We researched cabinets and dove in. The cabinets were ready to assemble, and we tried to think out every other piece of prepainted wood I’d need to complete the job. We painted the walls, and then I took over the room. I put the cabinets together and ordered the butcherblock slab for the countertop and desk. I was very nervous about cutting it to fit. It was expensive, and I knew if I didn’t measure twice, I’d be cutting more than once or ordering a new slab. I could hear Norm in my head. “Measure twice, cut once.”

Each step of the process was laid out in my head, and with each step, there were questions about how to accomplish it. I sometimes took a couple of days playing it out in my head, envisioning the steps necessary and any impediments I might encounter. It was frustrating, necessary, and ultimately worth the time. I told my wife, “I can get you 98% of the way there. To get to 100%, you need to hire a professional. So, you’ll have to accept 2% being undercut, overcut, 2 degrees out of plumb, almost level, and sort of right.” I knew I was on the right track when it was only me who could see the tiny mistakes. She never saw them, no one did. I liked the challenge of thinking out the next steps and then overcoming the obvious missteps I’d take.

She also showed me a decorative shelving system she wanted in the corner opposite her wall of cabinets and desk. Again, there were challenges I would ruminate over for days before jumping in and getting it done. With one step left (putting up the shelves), I was anxious to see the finished product. I had sanded the wood, rounded over the edges, and polyurethaned the wood. All I had to do was cut the long piece into the actual shelves. I cut them and walked into the office, ready to nail and screw them into place. My wife started laughing. In my haste, I cut the shelves ½ inch too short. Without skipping a beat, my wife channeled Norm Abram. She said, “Measure twice, cut once.” Ouch. Back to Home Depot, back to sanding, rounding over, and polyurethaning. Then I measured three times, cut the shelves, and installed them.

Tony Bennett died recently, and Twitter (X?) was filled with kind words from those who knew him, thanking him for his body of work, kindness, artwork, and friendship. This happens every time a celebrity dies. I couldn’t help but notice how nice it would have been if folks thanked others while they could appreciate the sentiment.

I would never have attempted anything like that had it not been for Norm Abram and the This Old House/New Yankee Workshop. I don’t know Mr. Abram personally, but if I ever met him, I would thank him for being such a great teacher. And I think my wife would thank him, too!

My Hero Could Fly

My kids grew up in the golden age of reading. They started reading chapter books just when the Harry Potter books took over the world. I grew up in the golden age of baseball. And by that, I mean the 1970’s. I grew up in Rhode Island that weigh station stop between Boston and New York. Many older baseball fans, stung by the Boston Braves leaving town, counted themselves as New York Yankee fans. Most of the kids I grew up with were Boston Red Sox fans. I was a Cincinnati Reds fan. Why? It’s a convoluted story of my father liking them as a kid because he followed Corky Valentine, a short-time pitcher for the Reds in the mid-1950s. Anyway, I grew up during the Big Red Machine of the mid-1970s.

I had most of the team in baseball cards. I meticulously considered my All-Star Game ballot long before dangling chads migrated to politics. And Pete Rose was my hero. He was me. He was not gifted athletically or physically. He was not a pitcher. He was aggressive “between the white lines.” And he was on one of the most dominant teams in baseball history. Tony Perez at first base, Joe Morgan at second base. Dave Concepcion at shortstop, Rose at third base, George Foster in left field, Cesar Cedeno in center field, Ken Griffey in right field, and Johnny Bench behind the plate. Believe me when I tell you, I wrote that from memory, as fresh today as it was when I was ten.

As the Fates planned, “my” Reds met my friends’ Red Sox in the 1975 World Series. Before each game, I would lay my baseball cards in their defensive positions on the rug. And while Game 6 almost caused me to drop out of school or seriously consider either homeschooling or the Peace Corps (rather than face my friends), the Reds won Game 7 and the World Series. Rose batted .370 and was named the World Series Most Valuable Player.

The thing about Rose as a player was that he was granted limited physical ability but an insatiable need to win, essentially at any cost. He was Charlie Hustle. Was he a showboat? Maybe, but he backed it up. I wanted to be a better player than I was. But I did love the game. My brother was a much better player than me, and I base that on the fact that he was a pitcher and played in college. I could barely break a window with my “fastball.” My brother once aimed at a kid’s head in Little League because he taunted him. Wrong? Maybe, but the kid didn’t do it again. Being competitive was equated with toughness. We were constantly reminded that we were not tough because we were not city-born. It was (and still is) a driving force to be overcome.

My father coached me and then my brother for many years. I can’t tell you the number of former players on those teams impressed by my father’s post-victory speech. He may have been disappointed in me (usually) or the team’s performance, but he always summarized his talk with, “The most important thing was we won, and they didn’t.” It never failed to bring goosebumps to the team. He was competitive, and so were we. Unfortunately, as my skills waned and were eclipsed by others, his pushing and my anger caused too many rifts. They ended in me withdrawing from baseball and fracturing our relationship for too long. I missed my brother’s college career because of it, and it is a regret I will live with always.

Pete Rose also made mistakes, permanently fracturing his relationship with Major League Baseball. Whether he, in the wake of the steroid era and Draft Kings advertising on MLB.com, deserves to be in the Hall of Fame cannot be settled here in 1,000 words (he does belong). He’s still a baseball fanatic and can tell you he batted .261 against Nolan Ryan for his career, but that one summer day in 1978, he went 4-4 with two doubles on an unseasonably cool July day in Cincinnati. He could tell you it was 71 degrees at game time. Ryan wasn’t supposed to pitch but came back on three days’ rest because… and he could do that with every pitcher and every game over every year of his long career.

Last weekend, my brother had the opportunity to meet Pete Rose at a baseball card show in Boston. In many ways, it culminated a baseball pilgrimage for the Fucile’s.

My dad is gone, and Rose is frail at 82, but he was my baseball hero, the tough hometown boy from Cincinnati. The Reds always were my dad’s favorite team and still are for my brother and me. My hero could fly.

Memories in a Bucket

When I was young, my sister and I were charged with going to the Newport Creamery each night to get my father a pint of Maple Walnut and Walnut Fudge mixed. The bottom half of the pint was Maple Walnut ice cream, and the top half was Walnut Fudge ice cream. We did this most nights. It’s a memory my feeble brain still recalls. My sister is a year younger than me. We lived on the west side of West Main Road in Middletown, Rhode Island. The Newport Creamery was about half a mile away on the east side of West Main Road. Getting there required us to cross West Main Road at dusk or early evening when we were 10 or 12. And we thought nothing of it.

Seeing that road now, both with the volume of traffic and speed at which cars travel, it’s a wonder we saw our teens. And that’s one of the problems with viewing yesterday’s events through today’s lens. When we were younger, speed limits meant something. And while Aquidneck Island was always a tourist spot and Navy town, traffic back then was a fraction of what it is today.

The Newport Creamery holds a special place in my heart. Many an evening, after a Little League, Babe Ruth, American Legion, or High School baseball game, or just on a warm summer evening, “The Creamery” was a welcoming place to celebrate a win or lament a loss. I thought they had the best chocolate chip (and coffee) ice cream. And their Junior Hamburger was my favorite. Two, with a side of fries, please! And then a Turtle Sundae my way (chocolate chip ice cream, hot fudge sauce, caramel sauce, marshmallow topping, whipped cream, and a cherry).

They also have a milkshake made with iced milk instead of ice cream called an Awful Awful. Despite its off-putting name, it is so called because it is “Awful Big and Awful Good.” The challenge on the menu said if you could drink three, you’d get the fourth free. How could a teenage boy not accept that challenge? And at least once, I got my fourth free Awful Awful. Always vanilla flavored (for me), the marginal return on enjoyment waned dramatically on the second and third, only to rally for the free one. And then I’d walk home feeling the liquid slosh around inside me like my stomach was at high tide during a named storm.

The Creamery also sells half gallons of their ice cream in plastic buckets. Every home in Rhode Island has a few buckets holding various items (buttons or ribbons in the craft area, multiple nails and screws in the garage, marbles and toys in the kid’s room). And if I had access to the photographs in every home, I could find a photo of every child with the bucket on their head. I know I have them of my kids.

The Newport Creamery has had financial troubles in the past decade or so, and while I don’t know what the future holds for any of us, despite heavier and faster traffic than when I was a kid, I hope The Creamery exists for a long time into the future. There are many Awful Awfuls to drink and plastic buckets for kids to wear. And while my sister will argue that Frosty Freez is the iconic summer ice cream stand on “the island,” especially given that she worked there many a summer (and I concede to making a pilgrimage there a few times each summer), The Creamery holds many more memories for me.

No one has a perfect childhood or flawless life. But there are idyllic memories of youth and raising children, and The Creamery holds both for me.

Pointillism Polemics

Isolation became as much a pandemic as the COVID-19 virus that caused it. And the social paradigm shift left in its long wake continues to affect millions of people. Social pastimes such as going to the movies, going out to dinner, visiting friends and relatives, comedy clubs, concerts, art shows, vacations to amusement parks and bucket-list cities all foundered. And like the millions of virus victims, many of these venues and pastimes did not survive.

We were left to entertain ourselves at home. And some of us did this better than others. The American Journal of Emergency Medicine said domestic violence cases increased by 25% and 33% globally, with an increase in the United States by over 8%. In my house, crafts replaced excursions. It began when my daughter, Samantha, came to my house wearing a stylish three-ply mask she fashioned from a curtain. In what might have been a humorous episode of a sitcom (you fill in the blank), she proceeded to sew another mask at the dining room table while watching me try to do the same with her guidance. Ultimately, my finished product was less fashionable and (probably) less effective. Still, I wore it to the grocery store until better masks were readily available. I still have it. 

And then there were the crafts. Let me back up. Pointillism is a method of painting developed by Georges Seurat and others in 1886. It is an offshoot of the impressionists (Monet, Manet, Cassatt, Degas, Pissarro, Renoir, and Cezanne). In pointillism, artists use dots of paint to form images. It was the precursor to pixels on televisions, monitors, and cell phones. Seurat’s most famous painting is A Sunday Afternoon on the Island of La Grande Jatte

Incidentally, my son Cameron and daughter Samantha saw the 2017 revival of the Sondheim penned Sunday in the Park with George musical on Broadway; itself a fascinating statement on art, artists, people, humanity, and human interaction as the painting comes alive before the audience. Little did we know how human interaction would be a recipe for a lethal worldwide pandemic just three short years later. Ironically, Johnson & Johnson, supplier of one of the COVID-19 vaccines, was created in the same 1886 that Georges Surat created pointillism. Pfizer was formed in 1849. Thanks, Google.

Art proved to be the salve for my family and me. And as a corollary to my last post, art proved once again to forestall being lost. This time, while writing continued to provide me a venue to consolidate my disparate thoughts, “dipping dots” consumed our time and provided hours of entertainment (and a few sore necks!). Of course, they are not called “dipping dots.” Those are the frozen pebbles of ice cream found at hockey games and stadiums. I refer to the tiny, colorful plastic dots (or squares) on a sticky canvas.

 

My wife (and sometimes my two stepdaughters (although typically, they would start a project and we would finish it)) saw these projects devour hundreds of hours of quarantine and isolation during the pandemic. I also know every word to every pop song played on the radio over the last 50 years as we listened to these songs on a loop while working our dipping dots. These craft projects (I differentiate here between creating (art) and producing (crafts) so as not to offend artists who create original works) were terrific distractions from the horror of the pandemic and the schism of politics.

Both mindless and intoxicating, these projects consumed us. We couldn’t wait to finish working for the day so we could “dip dots.” Maybe it was a consequence of the work we each do. My wife works for an insurance company and spends most of her days in meetings. I live in Microsoft Excel spreadsheets, deep in the weeds of cells and formulas. Although we both work from home (I have worked exclusively from home since moving back to Rhode Island in 2016 while she was new to the concept, as were millions of others affected by the coronavirus), there was no tangible evidence of our daily efforts. She ends the call; I close the file. There is nothing to see, nothing to hold up as real progress or something that will exist beyond the next call or following report. Dipping Dots projects checked that box. It exists today, tomorrow, and always as a physical manifestation of effort.

Again, to create is to exist and to endure. Tiny plastic dots, pixels, or pointillism gave me a productive outlet during a worldwide pandemic and many enjoyable hours with my family. These are but a few of the many projects we completed during the lockdown. They were good times in an awful time, centering and fun while the world spun off its axis.

Sharks and Cancer

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So, eleven hundred men went in the water, three hundred and sixteen men come out, the sharks took the rest…”  Quint, Jaws

It has been a very difficult year and a half. First, in November of 2014 my father died after a brief but excruciatingly painful fight with lung cancer which had spread to his bones. Almost one year later, last September, my wife died after a long fight with breast cancer which had spread to her lungs. And then only six months later, my dog died after a painful fight with a soft tissue cancer which had spread to his bones. One year, then only six months, part of me wonders what horror will befall us in three months. But I have to believe that the pain and suffering have ended now.  I can’t help but appropriate Quint’s quote to, “So, five of us went to Texas, three of us come home, cancer took the rest…”

Cancer has targeted my family for far too long now. I don’t want it to have any more power over us. My children have spent fully one-third of their lives living under the threat of cancer taking their mother and then their dog. Almost their entire teenage years, years difficult enough without cancer moving in to live with us, has been spent living under that dark cloud. They are 21 years old now and, in spite of these added pressures, will both graduate on-time from the University of Texas at Austin, each with over a 3.5 GPA. How they have been able to stay focused amazes me and is a testament to their strength of character.

I know people have had it harder than we have. I don’t claim to have a corner on suffering. And I am grateful for the seven years we were able to steal from cancer by moving to Texas and seeking treatment at the M.D. Anderson Cancer Center in Houston. I’ll never regret that decision. But if we could have a break from any additional pain for a short time, that would be great.

Each of us is dealing with these losses in our own individual manner. Certainly, grief counseling has helped, but we still face a world in which neither Lisa nor Delbow will walk with us any longer. We have had long discussions about faith, heaven, philosophy, and all of the accompanying topics. We disagree as much as we agree but the discussions are always lively and fascinating. I hope that we can each find some comfort in our positions.

Finally, there is the issue of moving forward. The house, already quiet from Lisa’s absence is now even quieter without Delbow’s rambling about. The kids are on spring break this week, so I have a respite before facing that still house alone. I now have six months of experience without Lisa and living alone. I hope this serves me well when the kids return to school. But before we know it, school will be over, graduations will have been concluded and we will be packing up for our trip back to Rhode Island. I hope it goes well and we can begin our new lives healthy. No sharks, no cancer.

Rhode Island Bound

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In three months, my children and I will be moving back to Rhode Island. And while Texas has been very good to us in some ways, we are eager to leave all of the bad memories behind as we try to build a new life without Lisa or Delbow. It will be incredibly difficult.

We will make our home in East Greenwich, a town I know very little about but which had the size and type condo I was looking for. I am excited to live there. It is centrally located in the state and will allow me to get to Providence or the beach with equal rapidity. My sister lives in North Kingstown, which is easily gotten to and my mother and brother live in Middletown, which is on the way to the beach.

Moving to Texas was the right move at the time and I do not ever regret that decision. M.D. Anderson Cancer Center bought Lisa, at least, six and a half years that she would otherwise not have had had we stayed in Rhode Island and sought treatment. I cannot say enough about the physicians and nurses at M.D. Anderson. To be sure, there are always bureaucratic snafus that occur and I was always Lisa’s best advocate to permeate the sometimes confusing maze of departments and silos. But, overall, the facility has earned its position as one of the best cancer centers in the world.

We have lived in this house now for over six years. And in all that time, it still does not feel like our home. Lisa decorated it with many of our belongings from Rhode Island and we painted it the same color as our home in Rhode Island inside. However, it never became “home” for us. It always seemed that we were leasing the space until the catastrophic happened. And now it has. The kids will be graduating from the University of Texas at Austin in late May and we will then pack up all of our belongings and make the trek back to Rhode Island and that which we know and love.

Wish us luck on our move and starting our new life without Lisa or Delbow. I would like to think Delbow is sleeping on Lisa’s lap right now as she looks down on us approvingly on how we have handled everything so far. I don’t know what the future holds, but I am grateful to my children for their support and love.

Kindling the Flame

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My birthday was last Monday. This was the first birthday I’ve ever been alone. Yes, people wished me a happy birthday at work (in fact, they took me out to lunch), and I heard from several people in person and many people wished me a happy birthday on Facebook, but when I went home at the end of the day, I was alone. That was a first in a long year of firsts.

I have been alone a lot lately and I understand that is the nature of things at this point. Friends seem far away and while I have a spark that my life is beginning again, the sparks right now seem only to flicker and then fade. I am hoping some of them kindle and flame. I’ll keep going because as Winston Churchill said, “When you are going through hell, keep going.”

Things will change. I’ll be moving back to Rhode Island in June. I found a nice condo in East Greenwich big enough for me and the kids (who will be with me until they start graduate school). Getting back to Rhode Island will be going home. There is familiarity in it, even though I know nothing about East Greenwich. We will be close to family and friends once again and life will further kindle for me. I look forward to being home.

I know I need to start my life again. Whether that involves new hobbies or new people, I do not know at this point. I know that I want to get out of Texas. I want to leave all of the bad memories here and start anew. A friend of mine told me that I needed to find a meaningful life whether that involves happiness or not because it will be rich with significance. I hope I do have a meaningful life rich with significance, but I also hope it involves some happiness.

Soon, I will be putting the house here in Texas on the market and begin packing all of the belongings Lisa and I took to Texas to fight her cancer.  I do not consider it a lost battle. We gained seven years beyond her initial horrific diagnosis. I still marvel and shudder at what she endured to survive those seven years. More blood sticks that I can count, radiation burns, the barbaric side effects of systemic chemotherapy, radical surgery, wild clinical trials, nausea, neuropathy, headaches, coughs, colds, trips to the emergency room on holidays, and she waged this all-out war with an easy going manner to everyone else around her.

I still want to talk to her. I still reach for my phone to text her something funny. I still miss her every single day. When I’m especially down, I hear her in my head telling me to get on with my  life. And so I try, try, try again. I am alone, but I try not to be lonely.

I think the ultimate kindling is friendship and I am grateful for all of my friends. The ultimate flame is meaningful significance and I hope to be living that life. Happiness would pour gasoline on that fire.

Home

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In light of the terrible attacks in Paris, Beirut, Syria, Iraq, and the 88 who are killed with a gun in America every day, I am reminded of the quote from Carl Sagan regarding our pale, blue dot:

“Look again at that dot. That’s here. That’s home. That’s us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every “superstar,” every “supreme leader,” every saint and sinner in the history of our species lived there-on a mote of dust suspended in a sunbeam.

The Earth is a very small stage in a vast cosmic arena. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot.

Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.

The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.

It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we’ve ever known.”

The Wolfe of Main Street

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“You can’t go back home to your family, back home to your childhood … back home to a young man’s dreams of glory and of fame … back home to places in the country, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time – back home to the escapes of Time and Memory.”

Published in 1940, two years after the loquacious author Thomas Wolfe unexpectedly died, You Can’t Go Home Again belongs to a select group of novels whose title has entered American speech as a catch phrase. Catch-22 also enjoys this status of being a book few have read but we all seem to use the phrase in daily life with a winking acknowledgment.

We all know what “you can’t go home again” means, but a deeper understanding of the sentiment behind the phrase yields a bountiful crop of compassionate undergrowth.

To begin with the obvious, anyone returning to their hometown following a period away notices the changes. Gone is the local drug store, replaced by a pharmacy chain. Gone is the chain toy store you once protested against when it bought out the local toy store. Gone is the barber shop at which you used to get your hair cut, where they had to use the booster seat to allow you to sit high enough for the barber, who doubled as your neighbor. Mom and Pop stores are eaten by chains, which are, in turn, swallowed by larger chains; themselves prey to the threat from the internet and online shopping. Sure, the ice cream parlor still remains, but the menu has changed, the furnishings updated, the uniforms different and the charm captured by childhood gone. Restaurants change name, fields become strip malls and the potato farm beyond the outfield has grown into a neighborhood.

Still, the phrase refers to to time not distance or travel. How often is the frustration of the dieter who weighs themselves daily validated by the comments of those who do not see the individual on a daily basis? How many times do we catch our reflection in the morning mirror wondering who that old person is staring back? So too, is the change of “home” incremental yet perpetual.  Daily life contains checklists, both mental and written, which drive our actions.

  • Get up at 6:00, eat breakfast, shower, shave, dress
  • Run to the supermarket (we need bananas and bread (critical))
  • Must stop at the Post Office to drop off the package to ensure it arrives at Aunt Clara’s before her birthday on Tuesday
  • I’d like to get to Barnes & Noble to pick up that new book Charlie was raving about
  • Dinner with the group tonight (whose house is it at?)
  • Get to bed at a “decent” time tonight. That twitch in my lower eye lid is driving me crazy.

Seldom do we slow down enough to see how much has changed. Perhaps this is done on purpose. Each of us carries a mental picture of everyone else in their mind. Ask yourself, “When was this “picture” snapped?” My image of my grandfather (my father’s father) was snapped in his basement, hovering over his workbench. When was that? 1970-something? My image of my grandmother (my father’s mother) is of her sitting at her kitchen table scratching at the incessant itching in her hands, offering me one snack after another. When was that? My image of my other grandmother (my mother’s mother) resides in actual snapshots; photographs I’ve seen which merge with stories I’ve heard from those older than me, and thus capable of holding a memory. And so it is with everyone I’ve ever met. Name someone and I will unconsciously recall a moment in time and an age of that person at which they are forever frozen. This is one of the conundrums I have with the concept of heaven. Should I die and be admitted to the ultimate club and see my paternal great-grandmother (who, in my youth seemed to be Methuselah’s age when she died), how old would she seem to me? And at what age would she appear to her great-grandmother who died when my great-grandmother was in cloth diapers in Italy?

Memories rush up to meet us without recall demands made; the mystique of “family” softened by the endless waves of time. There is a promontory rock in my hometown against which an endless line of waves crash. This rock has endured wave upon wave since before my birth and will endure them for countless millennia after I die, with little change to the rock. Ovid said, ““Dripping water hollows out stone, not through force but through persistence.” Persistence measured in thousands of years eludes my capacity of comprehension.

And while Main Street changes over time, we cannot forget that it is a two-way street. Those exposed to the daily changes accept them as the new “normal.” Times change and we have to keep up! The reinsertion of the returning local into this new equation causes an unintentional sheering of expectations from memory. The resident expects the returning friend/relative to merge with the existing daily life to which they have become accustomed through the gradual hollowing out of the stone of the local landscape. The collision of the returning individual’s memory with the resident’s daily reality, coupled with the mental image we carry of the individual, can yield conflict and confusion. Family mystique is usually best carried by those who have physically had to relocate. A myth develops over time of something the individual perceives as having been taken from them, whereas the reality is simply human beings in one small community clashing and embracing, subject to the baggage we all carry. Grudges are held, “hatred” festers, blame is assigned and emotional distance creates a gulf where no physical distance exists. To the physically removed family member, these animosities seem petty and counterproductive. Consider the view of the astronaut aboard the International Space Station looking through the port hole at the earth as it passes constantly from daylight into night and back again. How meaningless do our conflicts seem from afar? How insignificant do national borders seem, religious differences resulting in warfare, the skin color or sex of one ant from another? Unfortunately, few of us have the ability to step back and observe from such a height, even figuratively. Wolfe expands upon his catch phrase below:

 Some things will never change. Some things will always be the same. Lean down your ear upon the earth and listen.

The voice of forest water in the night, a woman’s laughter in the dark, the clean, hard rattle of raked gravel, the cricketing stitch of midday in hot meadows, the delicate web of children’s voices in bright air–these things will never change.

The glitter of sunlight on roughened water, the glory of the stars, the innocence of morning, the smell of the sea in harbors, the feathery blur and smoky buddings of young boughs, and something there that comes and goes and never can be captured, the thorn of spring, the sharp and tongueless cry–these things will always be the same.

All things belonging to the earth will never change–the leaf, the blade, the flower, the wind that cries and sleeps and wakes again, the trees whose stiff arms clash and tremble in the dark, and the dust of lovers long since buried in the earth–all things proceeding from the earth to seasons, all things that lapse and change and come again upon the earth–these things will always be the same, for they come up from the earth that never changes, they go back into the earth that lasts forever. Only the earth endures, but it endures forever.

The tarantula, the adder, and the asp will also never change. Pain and death will always be the same. But under the pavements trembling like a pulse, under the buildings trembling like a cry, under the waste of time, under the hoof of the beast above the broken bones of cities, there will be something growing like a flower, something bursting from the earth again, forever deathless, faithful, coming into life again like April.”

Can all of this be summarized as “stop to smell the roses?” Maybe, but we never seem to take the time to add it to our list of things to do.

We can go home again, if only in our memories, and there, we have never left.