Newport, RI – Thoughts at Large

The youth of today, and for this discussion, this includes anyone who’s never held their favorite music in their hand (album, 8-track, cassette, CD), don’t understand how recorded music was appreciated in the time before the internet and streaming. I grew up in the age of mixtapes which involved recording songs from the radio (remember radio?) with the deft dexterity of a neurosurgeon. And…hit…..Play AND Record at the same moment! Who didn’t feel like Casey Casum when they nailed it?

My musical education is partly due to the Columbia House ten cassettes for a penny club we badgered our parents into joining. Research and hard decisions in my youth involved selecting my three-item allotment from Columbia House and being honest on my MLB All-Star selection ballot (and not voting for every Cincinnati Red nominated). I mention music because one of the few albums we had growing up was Hotel California by the Eagles. To be fair, my parents also had Rubber Soul and Led Zeppelin IV on vinyl and Sgt Pepper on 8-track. My sister was/is an Eagles fanatic (along with a certifiably insane Keith Richards fanboy). I can’t tell you how many times we listened to Hotel California. One of the songs I loved was The Last Resort. Being born and raised in Rhode Island, I was thrilled that music royalty was singing about my home, Rhode Island. And because I knew the immigrant stories of my family and those of most families I knew, the song’s opening verse touched me:

She came from Providence

One in Rhode Island

Where the old world shadows hang

Heavy in the air

The song, written by Glen Frey and Don Henley, describes man’s ugly takeover of nature’s pristine beauty. Specifically, California, and the migration of people searching for a new beginning in a “new” land.

She packed her hopes and dreams

Like a refugee

Just as her father came across the sea

She heard about a place

People were smiling

They spoke about the red man’s way

And how they loved the land

They came from everywhere

To the Great Divide

Seeking a place to stand

Or a place to hide

Word spreads about such places, and the throngs of people descend on it like locusts eating everything in their path.

Down in the crowded bars

Out for a good time

Can’t wait to tell you all

What it’s like up there

They called it paradise

I don’t know why

Somebody laid the mountains low

While the town got high

And this migration, like wildfire, doesn’t stop until it hits the ocean.

Then the chilly winds blew down

Across the desert

Through the canyons of the coast

To the Malibu

Where the pretty people play

Hungry for power

To light their neon way

Give them things to do

Some rich men came and raped the land

Nobody caught ’em

Put up a bunch of ugly boxes

And Jesus people bought ’em

And they called it paradise

The place to be

They watched the hazy sun

Sinking in the sea

And here’s where the story becomes painful. In the age before the internet and before you had lyrics to every song seconds away on your cell phone, we sang what we heard or misheard. The internet is filled with videos of people singing incorrect lyrics. Yes, it’s funny now! But before you could access the lyrics, you heard what you heard and belted it out as best you could. The next two verses always confused me. I should say I felt stupid not understanding what they were referencing. I assumed “La Hina” was a town in California. It wasn’t until years later that I learned Lahaina is a town on the island of Maui in Hawaii.

You can leave it all behind

Sail to Lahaina

Just like the missionaries did

So many years ago

They even brought a neon sign

“Jesus is coming”

Brought the white man’s burden down

Brought the white man’s reign

Before COVID-19 shut down society, and before masks and vaccines began to pull those who cared about their families and neighbors out of the pandemic abyss, my wife and I went on our honeymoon to Hawaii. We stayed in Oahu and Maui. We rented a Jeep Wrangler on Maui and, on our last day, drove across the island to Lahaina. I wanted a picture of a sign with Lahaina on it to send to my sister, an ode to our childhood listening to the Eagles. We walked Front Street, marveled at the city block-sized banyan tree, bought cookies at the Honolulu Cookie Company store, shopped at the Outlets of Maui, and ate dinner as the sun sank into the sea at the Waikiki Brewing Company. As we sat there waiting for dinner to be served, across the street, we saw the most incredible sunset I’ve ever seen.

I grew up in a tourist town, Newport, RI. And as much as I hated the traffic and the crowds of pretty people, I also knew their money was the economy’s lifeblood. When I heard about the wildfires whipping across Hawaii, and first heard Lahaina mentioned, I could only hope the town would be spared. The pandemic was savage to many industries, with tourism among the hardest hit. In addition to the catastrophic human toll the virus exacted, we all know of restaurants and stores that also did not survive. To have a wildfire threaten the fragile economy of Lahaina seemed as cruel as it was unfair. And then I saw the photos.

Nothing of what I remember exists any longer. It’s all gone. As of this writing, eighty people have lost their lives, with more expected as homes reduced to ash are searched. Front Street is a warzone of burned-out cars beside the mangled remains of homes and businesses. The banyan tree was scorched and may not survive. The Honolulu Cookie Company, the Outlets of Maui, and the Waikiki Brewing Company not only burned to the ground, but with the utter devastation and destroyed infrastructure, people do not yet know if their friends and coworkers survived. My heart breaks for everyone there. Hell came to Lahaina this week and took everything.

Climate change is real. Humans as a contributing factor is undeniable. Warnings of tipping points have been ignored. Water temperatures in the Gulf of Mexico exceed 100 degrees in some areas. We have had the hottest weather ever recorded, worldwide. And yet, we continue to ignore the issue and marvel at the consequences with willful ignorance and feigned confusion.

The last four verses of the song, without mentioning it, describe climate change and our greedy abdication of responsibility. However, instead of a coastline, when you read these last verses below, consider they are singing about planet Earth.

Who will provide the grand design?

What is yours and what is mine?

‘Cause there is no more new frontier

We have got to make it here

We satisfy our endless needs

And justify our bloody deeds

In the name of destiny

And in the name of God

And you can see them there

On Sunday morning

Stand up and sing about

What it’s like up there

They call it paradise

I don’t know why

You call someplace paradise

Kiss it goodbye

There are no new frontiers. We have got to make it here.

Or kiss it goodbye.

Newport Historical Society Collections Online

Baseball has the ability to transcend time. Look at that photograph. Can you hear it? Ball meeting bat. Can you feel the contact in your hands? Not the connection of springtime baseball, the shock traveling from your seemingly electrocuted hands through your arms and into your teeth, but the solid contact made only in deepest summer. What position are you playing? Are you the batter? The pitcher? Infield? Outfield? On deck? On the bench? Can you hear the people in the stands? Can you smell the grass during the warm summer months? Look up. Can you see the soft white clouds watching the action as they carelessly pass overhead. That is baseball, and this was Basin Field in Newport, RI, in 1910.

Basin Field has hosted baseball games since the railroads backfilled the area initially used as a drainage area for steam engines. It is one of the oldest baseball fields in the United States and a gem.

Bernardo (Vlardino) Cardines was born in Venafro, Italy on November 15, 1895. After his father emigrated to Providence, Rhode Island, and paid for his son’s transatlantic crossing in 1907, they worked as tailors on Thames Street, eventually living with his aunt and uncle a block from what would become his namesake ballpark. Bernardo registered for service in June 1917, was drafted in April 1918, and was killed in action in France during World War I in September of that same year. Initially buried in France, his remains were exhumed and reburied in his hometown of Venafro at his father’s request, who had returned to Italy. Basin Field was renamed Bernardo Cardines Field in 1936. He may have been watching this game in 1910.

Perhaps it’s the story of the Italian immigrant, who, it is said, played baseball at the YMCA, or maybe it’s that baseball field that lives in my soul. It might be remnants of the recently played Field of Dreams game in Dyersville, Iowa, between my beloved Cincinnati Reds and the Chicago Cubs intertwined with scenes from the movie. It might be the link I share with my late father and brother, knowing we all played at Cardines. It could be that I’m just getting older and find myself warmed by the glow of glory days past, thinking of my teammates and adversaries, games and plays, moments and memories. Maybe it’s memories of watching Sunset League games played under the lights as a kid, knowing the 9 pm horn would sound from the fire station across the street and still jumping out of my skin when it went off. Cardines was the equivalent of Fenway Park or Yankee Stadium as a kid. The dream of eventually playing there was the equivalent of playing in the major leagues.

The photograph above struck me as a handshake reaching across time. The players in that photo are long gone. And yet, we share the experience of playing baseball on the same spot of land in Newport, Rhode Island. I know nothing about them other than they enjoyed the game. And that’s enough for us to be teammates and foes, brothers and friends.

Category: Newport, RI

Kiss it Goodbye

Field of Memories